Brooke has worked in theatre, film, and television. Her clients include George Lucas, Disney, American Repertory Theatre, American Conservatory Theatre, Peter Sellars, Bay Colony Shakespeare Company, Commonwealth Shakespeare Company, New England Conservatory, and Babson College, among others. She studied Costume Design at NYU and Textiles at California College of the Arts.

Brook Stanton
Company Designer

Rory joins the BCSC company after receiving his BA Honors from King’s College, University of Cambridge; MA from University College London; and MFA from the Boston Conservatory. He has played Romeo, the Player King, Oberon and Bottom in various Shakespearean productions and tackles the roles of Hamlet and Malvolio for the BCSC.

Rory Boyd

Bay Colony Shakespeare credits include roles
in Hamlet, Macbeth and Much Ado About
Nothing. Boston credits include Othello and
Measure for Measure with Actors’ Shakespeare
Project, A Great Wilderness and Bent with
Zeitgeist Stage Company, Loot with Hub
Theatre Company, Daughter of Venus with
Artists’ Theatre of Boston and Dreambook
with Fort Point Theatre Channel. Tom has also
appeared in ART with Arts After Hours. He
produced and directed 8 The Play, the fight
for Marriage Equality for Broadway Impact. He
holds a degree in Theatre from Westfield State
University and attended the two-year actor training program at The National Shakespeare
Conservatory in New York City. He will next be
seen in The Tempest for Actors’ Shakespeare
Project.

Tom Grenon

Liz is delighted to return to Bay Colony Shakespeare Company after playing Ophelia in Hamlet in 2014. Liz hails from the Bay Colony and is now a Boston based actor, educator and
kid entertainer/clown. She has worked with The Martha’s Vineyard Playhouse for many summers as an amphitheatre player where credits include Romeo & Juliet (Mercutio), Comedy of Errors (Adriana), Twelfth Night (Maria), Taming of the Shrew (Grumio) and The Three Musketeers (Sabine). In Boston, she is part of the US pilot company of the UK hit, Sh!tfaced Shakespeare with Magnificent Bastard Productions, for which she has performed in Boston and in Edinburgh. Liz has traveled the U.S. and Mexico on children’s theatre tours with Missoula Children’s Theatre, The National Theatre for Arts & Education and The American Family Theatre. She is a graduate of Saint Michael’s College in Vermont and the British American Drama Academy in London.

Liz Michael Hartford

Raisa has appeared in two seasons with the Bay Colony Shakespeare Company as Conrade in “Much Ado About Nothing,” servant/soldier in “Macbeth,” Hermia in “A Midsummer Night’s Dream,” and Mopsa in “The Winter’s Tale.” Raisa’s most recent credits include Brooke/Vicki in “Noises Off” with the Priscilla Beach Theatre, Hero in “Much Ado About Nothing,” and Hermia/Helena in “A Midsummer Night’s Dream” with the Magnificent Bastard Productions U.S. edition, Sh*t-faced
Shakespeare.

Raisa Hoffman

Ross’ credits include Actor 5 in
From the Sea, To Somewhere Else,
Florizel in The Winter’s Tale, Puck in A
Midsummer Night’s Dream, Man 2 in
Concordance, Hamlet (Hamlet), Borrachio
(Much Ado), Donalbain (Macbeth)

Ross Magnant

Sarah Morrisette is thrilled to be making her Bay Colony Shakespeare debut! Sarah recently returned to Boston after three years exploring her passion for social change theatre. She is a facilitator of Theatre of the Oppressed and has led workshops in Mozambique, Brazil, Pakistan, India and throughout the Northeastern U.S.A. Sarah received her BFA in acting from Ithaca College in 2013. Some favorite past credits include: Doubt: a Parable (Sister James) with Newton Nomadic Theater, My Children, My Africa! (Isabel), Psychosis 4:48 (Doctor), and The Bacchae (Autonoe) at Ithaca College, and As You Like It (Audrey) and A Midsummer Night’s Dream (Head Fairy) with Ithaca Shakespeare Company.

Sarah Morrisette

A Marshfield native, Alexander is a writer/performer making their return to BCSC, having previously appeared for the 2013/2014 seasons in Much Ado About Nothing (Don Jon), Hamlet (Guildenstern, Marcellus, Osric, Fortinbras), and
Macbeth (Seyton, Murderer). They have also appeared in Priscilla Beach Theater’s Noises Off! (Garry) and Americana Theatre Company’s Three Musketeers (Duke of Buckingham). Alexander has experience both as a children’s theatre teacher and an on-request writer. Alexander, who openly identifies as nonbinary transgender, advocates for the representation of marginalized peoples and cultures in the arts. Their personal pronoun is “they/them/their”.

Alexander Munoz

Kira is thrilled to be making her BCSC debut! She was most recently seen as Thomasina in the Nora Theatre Company’s
production of Arcadia at Central Square Theater, where she is also a house manager. Kira hails from Milwaukee, Wisconsin, and graduated from Tufts University with degrees in Drama and Psychology. Favorite Tufts theater credits include Or, (Aphra Behn), Circle Mirror Transformation (Lauren), and Richard III (Duchess of York), which traveled to the Grahamstown Arts Festival in South Africa last summer.

Kira Patterson

A Boston based actor, Stewart has worked with numerous theatre companies, including Priscilla Beach Theatre, Theatre on Fire, Central Square Theatre, Wheelock Family Theatre, and Weston Playhouse. He is a graduate of Solano College’s Actor Training Program. He can regularly be seen performing with Mystery Cafe, Sh*t-Faced Shakespeare and Bye-Bye Liver.

Stewart Evan Smith

Steve Vaughan is an English actor and Boston import; recently appearing for Newton Nomadic Theater in Frank McGuiness’s powerful hostage drama, Someone Who’ll Watch Over Me. In his native Welsh border lands, whilst at school, Steve began writing and performing his own plays, later gaining a drama degree and briefly teaching in London schools. Returning home to Hereford, he acted and directed with three local theater companies and the resident professional theater (The Courtyard) in plays as diverse as Hamlet, Oleanna, Amadeus, Dracula, Equus, The Diary of Anne Frank, The Duchess of Malfi, Richard III, Popcorn and Art. He played Lucky in an acclaimed Waiting for Godot which resulted in an invitation to reprise the role in Turin, Italy. He has directed Harold Pinter’s The Birthday Party and John Steinbeck’s Of Mice and Men and a college production of King Ubu. He also sings bass in the Chorus of the Christmas Revels at Sanders Theater, Cambridge in which has also played an English dragon and an Acadian farmer. Also in the name of ‘art’… he has performed a solo contemporary dance piece (in pyjamas) to the sinister soundtrack of David Byrne’s A Walk in the Dark; played a pantomime cow in a field of real cows; danced around a druidic microwave oven in a forest; and played keyboard in a fund raising (comic relief) band Nose Such Thing.

Steve Vaughan